![]() |
||||||||||||
![]() |
|
|
|
|
|
|
|
|
|
|
|
![]() |
![]() |
![]() |
![]() |
![]() |
|
|
|||||||
| UPCOMING: CAVALLERIA RUSTICANA at CHAUTAUQUA OPERA July 30 - August 2 * * * * * * * * * * * * * Michael sings HAMLET with Washington National Opera * * * * * * * * * * * * * 2008 EMMY Award Michael sings Ford from Ft. Worth Opera's Falstaff, and the Letter Scene and the Act 3 Aria from NYCO's Madama Butterfly * * * * * * * * * * Most crucially, the title role was persuasively performed by baritone Michael Chioldi, who offered an admirable evenness and warmth of tone, consistently sensitive phrasing... this was very potent singing. His acting, too, hit home. He conveyed the character's brush with madness tellingly, and, in the confrontation with the frightened Gertrude (one of the opera's most inspired passages), Chioldi hit a dramatic peak to match the vividness of his vocalism.
Michael Chioldi's Hamlet was a three-dimensional character, on the edge of madness from the outset, yet capable of clear-headed resolve. The baritone used his warm, supple voice to put a consistently compelling spin on his phrasing.
Baritone Michael Chioldi is magnificent as Hamlet, a young man who is less mad than full of rage. Chioldi sings a wide range of music throughout the opera, most notably a melancholy recitative lamenting his situation, a moving love duet with Ophelie in the first act, a rousing drinking song, as well as the beautiful aria "To Be or Not to Be." Chioldi handles this variety easily, exhibiting great strength, sensitivity and nuance.
Michael Chioldi was appropriately somber and pensive as Hamlet, with a rich, almost Russian voice that centered the production all evening. Thomas’ Hamlet is a huge role, obviously taxing to the soloist. But Mr. Chioldi never faltered in his performance.
Chioldi, a graduate of San Francisco Opera’s Merola program and the Houston Grand Opera young artists’ program, proved an effective Hamlet, with the vocal weight and expressiveness to convey the character’s emotional range and the acting ability to make his interactions with such diverse folks as Gertrude, the Ghost and the Gravediggers absorbing and interesting. The evening ended in triumph with an enthusiastic standing ovation for Chioldi.
|
Site Usher:
+ Downloadable headshot
+ Michael's page on The Opera Critic.
+ There have been 14,935 visitors to this website since 2004.
+ Last update: July 26, 2010.Photo: Peter Konerko
home | biography
| repertoire | discography
| engagements | gallery
| contact |
